Ballet Luminary Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I'm Not Precious About My Body'
Within the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's posture is naturally straight-backed, his limbs defined beneath a simple tee. On stage, dancers can appear like mighty gods, yet often in person they are petite. Not so Ball, whose height is part of his demand for heroic roles and partnering. With fine traits and piercing eyes, there's a touch of a brooding actor about him.
An Apparent Ascent to the Top
Now 31, Ball is experiencing the peak of a career that has advanced seamlessly. Growing up in Liverpool, he encountered little ridicule for his childhood passion in ballet. Entering the esteemed training institution at 11, he moved straight into the company and was promoted each year, attaining the top rank of principal in 2018. He has loved tackling meaty dramatic roles, particularly the emotional turmoil found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
Ball's upcoming starring role is as himself, in an "In Conversation" series designed to offer behind-the-scenes insights into a performer's art. He will guide the crowd through a role, showing his mental process while execution. Yet in more comedic works, the challenge is profound. "A classic ballet is one of the toughest technically," he states.
The Mental Struggle and Post-Performance Emotions
What about after a show, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to extract all the juice out of it, and get lost in the character, quite often I do feel embarrassed afterwards. Following Mayerling I'm always thinking: Wow, what must people think?"
In person, Ball is thoughtful, mild-mannered, and prone to laugh at himself. Yet a choreographer previously observed on a "kind of suffering in him." Is there? "I'm quite energetic in general, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for positive change."
Early Motivations and Artistic Influences
His determination originated in early setbacks. Not doing well in contests at school made him "driven!" It was motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.
The next endeavor is creating his own choreography. In his view, "organic movement has value." "Breaking the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from literature, compositions, and art.
Intimate Performance and Private Dynamic
He additionally is interested in staging dance in smaller spaces. "It was just really thrilling," he says of a previous show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"
Ball has made duets with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They are not usually paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest supporter."
Regarding Instagram and Physical Perception
On social media, fans can see videos from his dance films and photos that highlight a sculpted physique. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—an object that can be seen on multiple levels.
Ball characterizes his younger self as "eager for success." Has it lived up to his hopes? "I feel very aware of how reality is a separate reality to the dreams you had as a young person," he muses. He probably has another ten years of performing ahead. "I guess in the future, I want to be a bit more gentle with myself."